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“... those supercooled, Stygian tempi. By explaining the earlier development of Klemperer’s art, Peter Heyworth’s biography places the notorious aspects of its last phase in a proper perspective, and restores balance to a reputation which has become, in England at any rate, lopsided. It teaches us, for example, that Klemperer’s tempi were not always ...”

“... in the concertante solo violin part of Heldenleben, just as Benjamin Britten’s dependence upon Peter Pears, the sharer of his bed, shines through most of his later music. Susana Gil alighted upon the gossip circuit of musical Europe as a living anachronism. ‘By God, William is going to marry a native,’ said one of Walton’s friends when the eminent ...”

“... To my mind, it is useless to search for an explanation. It is a kind of genius. And the critic Peter Heyworth wrote of her Medea in the theatre at Epidaurus: ‘Maria Callas is much nearer to ancient Greece than to revolutionary France. While Cherubini trundles out his clichés, she storms the heights with Euripides.’ Miss Stassinopoulos keeps ...”

“... rejected by our more powerful pundits of musical taste’ – Hans Keller, William Glock and Peter Heyworth. For someone like Keller, the gatekeeper of the debate about new music in the 1960s and 1970s, Cardew was a godsend: Keller might not agree with what he wrote, but he enjoyed orchestrating the subsequent controversy. Cardew became known not ...”